Rabu, 21 April 2010

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Product details

Paperback: 635 pages

Publisher: Springer; Softcover reprint of the original 1st ed. 1996 edition (September 27, 2011)

Language: English

ISBN-10: 1461380359

ISBN-13: 978-1461380351

Product Dimensions:

6.7 x 1.5 x 9.6 inches

Shipping Weight: 2.5 pounds (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

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Kamis, 15 April 2010

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Product details

File Size: 36034 KB

Print Length: 363 pages

Page Numbers Source ISBN: 1250125480

Publisher: St. Martin's Press (August 28, 2018)

Publication Date: August 28, 2018

Sold by: Macmillan

Language: English

ASIN: B079DWQ158

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Amazon Best Sellers Rank:

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I've always loved Jorma's music and he brings it to life here, with his family's cultural, professional and educational history, Jack Casady and part of the Airplane story coming to life. Actually, it's more about the former and the Tuna work than the 'on the road' details or Airplane track by track, concert by concert stuff - which is fine, since this is a more accurate reflection of his art and experience. The Airplane stuff is almost secondary - fair enough. He also is honest and clear-eyed about his typical rock trials of drugs, alcohol and rehab. It's very detailed and specific, but - and this didn't strike me until I started feeling a bit overwhelmed and disinterested midway through - it's strongly distanced and unemotional about whole tale. Fair enough - but not a great read, even for a musical fan.

Fans of Jefferson Airplane, Hot Tuna and the 60s San Francisco scene will be left yearning for more - this memoire doesn't offer up a lot of insider anecdotes or tales of iconic events, just cursory 'I was there' type of reflections - it's really more of one man's sonewhat wistful, melancholic jog down memory lane. Nothing much about Grace Slick or all those iconic characters - it's really Kaukonen's family history, his childhood, and not much about what we fans were hoping for - but it IS his story and he had every right to tell it as he saw fit. I'd be lying if I said I was satisfied with this memoire. I skipped over the pages and pages of car/motorcycle talk - haha.

Really a far more boring read than the subject matter might indicate. Jorma could have used a solid editor/co writer as the book doesn't flow well, his reflections are repetitive, and there are many missed opportunities to add clarifying information or insights. Would have been nice to have more photos and what about some pics of Margareta's art? And beyond his many statements about his 'best friend Jack' he doesn't at all describe Jack's deep musical contributions. Wow. Really?He gives much credit to his wife Vanessa, and is clearly at a good place in his life, something he more than deserves as a pivotal figure in American music. And true to his roots, you'll find spends plenty of time playing the songs he loves and teaching others.The story is his own and here it it. Unlike some tomes from my favorite 60s musicians, I won't be reading this twice.

Jorma (Jerry), thank you for sharing. The honesty and courage to face yours fears, to pass along failures and successes, to publicly describe emotions “normal” people would deny is inspiring. Others have written surface stories about the times, the revolution, the people, the events. You have written about the struggle to fit in, to be yourself, to exist in a conflicted world. Thank you for your music. For my selfish reasons, I am glad you were here long enough for me to see you in a solo concert.

Jorma Kaukonen is best known for the music he created with the Jefferson Airplane, Hot Tuna, among others and his collection of solo performances available on CD. This book goes beyond the music which teases always in the background and crosses into real life beginning in the 1950's to present day. Mr. Kaukonen shares his diary entries, his lyrics, poetry, musings on life and even his music with a CD included in the back of the book. It is his life story, the adventures, the challenges, the success and the failures that he does not gleam over but honestly puts out there for all to see. The confessions of St. Augustine or Rousseau pale over some of the life lessons that Kaukonen shares with his readers. There is also the history of the music that starts in his high school years with Jack Cassady to college where he met Janis Joplin, Paul Kantner, David Freiberg and many other people that come and go in his life same as people come and go in all of our lives. He takes us through the years of the Airplane and Hot Tune, from start to finish and all the bands and people in between. He shares with us the words of his Grandfather in a letter he only discovered recently that impacts him greatly. Kaukonen reminisces with his and Cassidy's last dinner with Paul Kantner in San Francisco and how lives long road twists and turns for all of us. Many people will be able to relate to the trials and tribulations Mr Kaukonen has faced as many if not all of those we too have journeyed down. People will be able to relate to this book in their own personal life journey. But it does not end there. His voyage continues with his Fur Peace Ranch in Ohio and his music and touring. People might want to clip the recent newspaper story of his reflections when told Marty Balin had passed as it is a continuation of the Saga depicted by his book. A wonderful read and history of a time that gets short shifted and twisted by many but not by Jorma Kaukonen. Buy this book and listen to the music.

A thorough & honest memoir from a charming & humble man. As a big fan of both Jefferson Airplane and Hot Tuna, I pre-ordered this as soon as it was available.

I found Jorma's work boring. Where are the Airplane stories? How many drunk stories do we have to endure. What about Jack Cassidy? He receives short shrift.I had high expectations, but I would sell the book for $1.00 if offered.LL

I always respected Jorma as a musician and after reading his book it only strengthens that respect. I remember hearing “Yellow Fever” by Hot Tuna on the Skidmore College radio station years ago and I RAN out to buy the album. This book started me on a spree of finding CD’s by Jorma & JA that I didn’t already have. Support Jorma by doing the same!I also loved bonus CD included in the book!That you Jorma!!!!!!!

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Senin, 12 April 2010

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Product details

Paperback: 94 pages

Publisher: CreateSpace Independent Publishing Platform; Second edition (April 5, 2018)

Language: English

ISBN-10: 1987593669

ISBN-13: 978-1987593662

Product Dimensions:

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Shipping Weight: 6.2 ounces

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Amazon Best Sellers Rank:

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Sabtu, 10 April 2010

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From Publishers Weekly

With such signature buildings as the Guggenheim Bilbao and the Disney Center in Los Angeles, Frank Gehry has been called the most famous architect in the world. These conversations, edited from interviews California-based writer Isenberg (Making It Big) began with Gehry in the 1980s, cover topics from his first buildings—made as a boy from chips of firewood on his grandmother's floor—to current large-scale projects like a $3 billion redesign for Grand Avenue in downtown L.A. There is talk about the architectural politics of Los Angeles and the practical aspects of running a large architectural office. And while Gehry never name-drops, readers do get a sense of the celebrity and high-finance crowds in which he circulates. Gehry says he has always been more influenced by artists than by other architects, and those influences range from such friends as Robert Rauschenberg to Vermeer and Hieronymus Bosch. Whether designing jewelry or museums, he sketches constantly and his assistants build dozens of models before reaching a final design. Illustrations of these preliminary steps and of realized buildings add a visual component to the wide-ranging and informative conversations. 165 color and 41 b&w illus. (Apr.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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From Booklist

*Starred Review* Arguably today’s best-known architect and certainly the most influential, Frank Gehry continues to challenge everyday thoughts about what a building can become. His iconic art museum in Bilbao, Spain, has made every community yearn for a structure that can so instantly become a landmark. In this oral history, Isenberg converses with Gehry about his life and his groundbreaking aesthetic. Gehry describes his origins, his Toronto upbringing, his decision to change his surname from Goldberg, his stint in the army, his education at Harvard under the GI bill, and his encounters with other architects and artists who opened his eyes to new and wondrous possibilities. He credits Los Angeles’ surging growth in the 1950s and 1960s for many of his innovations. Illustrations bloom throughout the text. Gehry’s drawings look like particularly inspired doodles. Photographs of Gehry in his offices and of his planned and completed structures help the reader visualize the physical ideas latent in the architect’s articulate and disarmingly unpretentious discussions. --Mark Knoblauch

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Product details

Hardcover: 320 pages

Publisher: Knopf; F First Edition edition (April 21, 2009)

Language: English

ISBN-10: 9780307268006

ISBN-13: 978-0307268006

ASIN: 0307268004

Product Dimensions:

7.7 x 1 x 9.4 inches

Shipping Weight: 2.2 pounds (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

15 customer reviews

Amazon Best Sellers Rank:

#417,686 in Books (See Top 100 in Books)

This beautifully-produced book is a teriffic gift for any Gehry admirer. It is a joy to own. Excellent photos & commentary.

Absolutely fantastic book about fellow architect and friend Frank Gehry. I enjoy his modesty about his work and appreciate what he has achieved...Barbara has done a GREAT JOB

Inspiring yet casual.I started reading it and couldn't stop.Read it and you are going to be happy ok.

Frank Gehry has amazing ideas, this book is a great purchase for folks who appreciate his work and want to learn more about his projects.

great book

what can I say I love Frank Gehry work.

Super! I love Frank Gehry's work.

This is a breezily readable, generously and eclectically illustrated book, packed with personal, practical and historical revelations and observations that paradoxically don't really add up to anything.But wait: that may very well be the point.First the good stuff. There are many, many pages here that are worth the purchase price: a photo of the model for the Disney Concert Hall that won the 1988 competition and that looks nothing like the finished building, another photo of what the Disney Concert Hall would have looked like had it been clad in travertine as was the original plan, Gehry's stories about surviving the Army and Harvard, Philip Johnson's assessment of the Bilbao Guggenheim, Gehry's practice of leaving building models outside for a year to see what they'll look like in the changing light of the seasons--and many more. I don't want to spoil all of them.Here's what isn't here: any singular philosophy or manifesto, anything admonishing or inspirational, any broad program or narrow purpose. In the sixties, Gehry started using rough, exposed framework and junky materials like chainlink and corrugated metal because, craftsmanship in construction had declined, and a perfect finish would have been impossible. In the seventies, he turned an ordinary house inside-out and outraged half of Santa Monica-because he needed extra space for his sons. In the eighties, he won the commission for the Disney Concert Hall by making an emotional appeal to Walt Disney's accessibility and unpretentiousness. In the nineties, he created the most astonishing building of the late twentieth century by first refusing a commission to repurpose an existing structure.Is there a pattern here? A take home lesson? None that I can see. It's all collaborative, and contingent, and improvisational, playful, experimental. Let's try this. That's not going to work? Then let's try this instead. Follow your genius. Go with the flow. Maybe it's all a big mystery.But no, there's not even any mystery. In one of the funniest exchanges in the book, Gehry says, (of the museum in Bilbao) "They wanted a Sydney Opera House;" to which Barbara Isenberg replies, "How could you tell that?" which prompts from Gehry, "They said, 'We want you to build us a Sydney Opera House.'"And that's exactly what he did. No big mystery. Not even anything to puzzle over.In many respects, this book is as open, obvious, user-friendly, and beautiful and witty as one of Gehry's buildings. But it's also, paradoxically, empty. The buildings are filled with music and people and art. The book is filled with words and explanations, which are, I think, playfully, delightfully, even insightfully, beside the point.

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Jumat, 02 April 2010

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Product details

File Size: 2013 KB

Print Length: 241 pages

Publisher: Yearling (June 1, 2011)

Publication Date: June 1, 2011

Sold by: Random House LLC

Language: English

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X-Ray:

Enabled

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Word Wise: Enabled

Lending: Not Enabled

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Supported

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Amazon Best Sellers Rank:

#11,825 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Passed this book around to all the young people in our family, and currently not sure which family has it. That is, AFTER we read it together in the car on a road trip. Awesome book, can't hardly put it down. If you want to get your kids reading, force them to read the first chapter and you won't see them until they've finished. :)

The flashbacks really helped you understand more about the story and characters. Loved how the characters are all connected like in a spiderweb.

I finally decided to check this book out after years of watching the movie. I'm so happy I did, because it's way better than the film (as is usually the case), which is saying something. I won't give anything away with regards to the plot, but I'll say this much - I highly recommend it not just for young adults, but for us older adults as well. ;)

The author did a fantastic job of weaving the past and present together and bringing everything full circle in this book in a way that even young children could understand. It could have easily gotten very complicated and convoluted but he managed to make it intricate yet understandable. My second grader read this book on his own and figured it all out. I read this book aloud to my first grader which worked out nicely because I could discuss it with him as we went along and make sure he understood it. Most of the time he did on his own and he always did after we had a conversation.Both my boys can be sensitive to darker plots and humor but they both really enjoyed this book - it wasn't too much for them. It's recommended for third grade and up but I found it appropriate for my first and second grader. The only mildly inappropriate instance is when one character says, "What the hell?" I didn't even notice when I was reading it but my first grader was quick to point out at our book club meeting that it was his favorite part - because of the "bad" word. Such a proud parenting moment.Speaking of book club, this was a great selection for the Intergenerational Book Club (IGBC) at my church. There were kids from first through fifth grade (mostly boys) and all of them enjoyed this book. For snacks we had worms and dirt (made by the kids), doughnut holes, and pumpkin onion cookies. (Onions play an important role in the story.)

Stanley is a school boy who finds himself in the wrong place at the wrong time. He is convicted of stealing shoes and sent to correctional camp Green Lake. Camp Green lake is by the side of a dried up lake in the middle of a desert. Escape seems impossible because there is no food or water. The life is tough. Each day the boys have to dig a hole 5 foot deep and 5 foot wide measured by the shovel. The book has a good ending but you need to read the book to find out what happens. You won’t be disappointed. After each chapter you will not want to put the book down. There is another story running parallel telling the events at Green lake 110 years before which tie into the main story.The book is not lengthy and easy to read. Good characters well described. Well written. Not boring. Recommended for all teenagers. Adults can enjoy. I read the book because my son is reading it at school.

Such a good book. All three of my kids read this in middle school and I've read it myself. It has mystery to keep you entertained and the main characters are great examples of good triumphing over evil. If you want a book that is a fun and a fast, read plus is really easy to write an A+ book report on, then choose this book.

Wow, what a book. It's listed for middle-grade, but it really is an adventure that adults could enjoy too. The fascinating aspect for adults is the idea of the story in the first place and how this idea allows the reader to understand characters.

This is a very enjoyable book. I think it is geared for youthful readers. As a parent I would have no problem having my middle school children reading this book. There is no obscene or inappropriate language. The reason I read this book is that it is a selection of my book club. I am not sure exactly why it is a selection as my book club is mostly senior citizens and no very young members.The book itself is not lengthy. Many of the chapters are somewhat short and seems to me to be a fairly easy read. There is a lot of interesting coincidences that occur within the story in order to facilitate the story line. If this was serious adult fiction I would find the story not credible. However I think it makes a great story for youth. I would call it a version of a morality story. There are lessons in bullying, injustice, loyalty, selflessness, perseverance, etc... In the event that a reader from middle school to early adult read this book and liked it and wished to try a slightly more advanced reads that is still appropriate for a young adults, I respectfully submit "Girl, Stolen" by April Henry, and "Girls Like Us" by Gail Giles for consideration.In summary it was a pleasant, easy read. In the event that a parent might be looking for a lesser known book from an earlier time, I recently came upon a relatively short novel, "Understood Betsy" by Dorothy Canfield Fisher. It is set in the early twentieth century in rural Vermont and is probably more for little girls. The book is not long, although some of the chapters are slightly long. Another book from an earlier time that I came upon is "The Boxcar Children" by Gertrude Chandler Warner, which may be for slightly younger children. Thank You...

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